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desarquivo.org

Texto

All Power to the Copenhagen Free University
Altos e Baixos da Bienal. Entrevista com Claire Bishop
Amor tece
Anotações para uma conversa [com Maria Moreira] sobre o Piratão do Filé de Peixe
Antagonismo y estética relacional
Após junho de 2013: coletivos estético-políticos na guerrilha do sensível
Apresentação do livro “Intervalo, respiro, pequenos deslocamentos – ações poéticas do Poro”
Arquivo para uma obra-acontecimento. Ativação da memória corporal da poética de Lygia Clark e seu contexto
Arranjos e circuitos
Art Collectives and the Prestes Maia Occupation in São Paulo (plus post-script)
Arte colaborativa no espaço público: Algumas reflexões sobre os coletivos Gia, Poro e Opavivará
Arte e deriva: a escrita como processo-invenção
Arte e mídia no Brasil: perspectivas da estética digital
Arte e política
Arte no Ar
Arte para poucos
Arte-ativismo OMO: a cultura como higienização
Arte-ativismo: interferência, coletivismo e transversalidade
Arte/Cidade: um balanço
Artes de abrir espaço: apontamentos para a análise de práticas em trânsito entre arte e ativismo
As articulações do vazio ou em busca do buraco da Bienal
As extensões da memória: as experiências artísticas e outros espaços
As intervenções urbanas do Arte Construtora
As paredes estão ruindo ou estão sendo pintadas?
As pessoas ainda pedem definições, mas agora é tranquilo que nada pode ser definido: o Grupo C.D.M.
Aspectos da montagem e do registro da prática artística urbana
Assemblages: Felix Guattari and Machinic Animism
Até onde se pode ir muito longe?
Atrocidades maravilhosas: ação independente de arte no contexto público
Atuação na vida – ativação de espaços
Awaken From Lethargy: Art and Public Life in Sao Paulo At The Turn of The Century
Azulejos de Papel: intervenção urbana do Poro
Base para unhas fracas
Biopolítica e Biopotência no coração do Império
Biopolítica e Contraniilismo
Bolero, polêmica e urubus +
Bruno Vieira no MAP
Canteiro de obras vira galeria de arte em Itaipu
Carla Zaccagnini e a percepção do olhar
Cartografia visual, subjetiva, social, crítica

Post-Participatory Participation

Enviado por aarquivista, seg, 2013-05-20 23:15

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Ricardo Basbaum

Chicago

Post-Participatory Participation
Author(s): Ricardo Basbaum
Reviewed work(s):
Source: Afterall: A Journal of Art, Context, and Enquiry, Issue 28 (Autumn/Winter 2011),
pp. 90-101
Published by: The University of Chicago Press on behalf of Central Saint Martins College of Art and Design,
University of the Arts London
Stable URL: http://www.jstor.org/stable/10.1086/662974 .
Accessed: 15/11/2012 09:33


2011

http://www.jstor.org/stable/10.1086/662974

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